An Introduction to the Reaper DAW, Presented by Jam Phelps – Denk Studios
February 9, 2022 @ 6:00 pm - 10:30 pm
Presented by
Jam Phelps, of Denk Studios,
and
The Pacific Northwest Section of the Audio Engineering Society
Note that this meeting starts at 6:00pm Pacific Standard Time, which is UTC -8. There are many countries in the world where that is the middle of normal sleep time, so if you intend to sleep normally that day you may want to watch the video when it comes out rather than signing up here.
That said, it’s free to sign up, so do whatever makes you happy.
Presentation Description:
Reaper is a Digital Audio Workstation program that is gaining popularity. It is full-functioned, and the cost to license it for use is both flexible and reasonable. There is a reasonable trial mode, with the program fully functional, so you can actually get work done with it.
In this meeting, you will learn how to use Reaper from opening the program to completing mix projects, recording sessions, and producing with MIDI. We will also focus on Reaper’s automation features.
You will learn the basic functionality of Reaper for recording, adding plug-ins and virtual instruments, rendering multi tracks and finished projects, and other mixing features.
This is for folks with some DAW knowledge and a basic understanding of audio.
Angela Dane of the AESPNW Section Committee will moderate the meeting.
Feel free to send any questions in beforehand; you may also send stems to work with live to: denkstudioswgr (at) gmail
Additional information can be found at
Pacific Northwest Section of the Audio Engineering Society Website.
THIS EVENT IS FREE, OPEN TO ALL, AND AES MEMBERSHIP IS NOT REQUIRED
About The Presenter
Jam Phelps is a Mix Engineer, Music Producer and owner of Denk Studios in Durham, North Carolina. Her studio is focused on uplifting marginalized voices in music such as women and LGBTQ+ folks.
She has been a musician for 28 years and loves crafting unique productions and imaginative mixes in a safe environment where creativity thrives.
Jam has been featured on Soundgirls.org, Stories in Sound, The Music Executive podcast (link is to Amazon Music, log-in required), and currently is a Waves Audio collaborating artist for Gear Fanatix.
PNW AES Zoom Meetings
We started holding our meetings via Zoom beginning with the April 2020 meeting. Zoom has dramatically increased our reach, well beyond our Section’s geographic area. Since doing this, we’ve regularly had attendees from:
-most Provinces in Canada;
– most countries in:
–Europe,
–Central and South America;
-Japan,
-India,
-Indonesia,
-Malaysia,
-Australia,
-and more. It’s been unbelievable how many cool audio people we’ve met.
Zoom gives the ability to record videos of our meetings, and those recordings are individually posted in our past meetings Archive. For now, the collected videos from our Zoom meetings can be found (mostly) at Dan Mortensen’s DansoundSeattle YouTube channel.
We use EventBrite to manage our free tickets to meetings. You are in the right place to RSVP for your ticket for this event.
The Zoom URL will be sent in three reminders: two days, the morning of, and an hour or two before the event starts.
When you register at EventBrite and when you enter the Zoom meeting, please use your real first and last names so we can get to know each other. You do NOT need to create an EventBrite account to register.
Please Note
In order to maintain decorum and avoid interruptions, even unintended ones, we have established a few ground rules for meeting attendees:
1. We want to see your full name on display in Zoom at the meeting.
2. The presenter(s) will determine if they can accept questions during the presentation, or wait until specific Q&A times, and that will be announced at the beginning of the meeting. (We often use the “chat” feature to allow attendees to ask questions when they think of them, with moderators passing them on to the presenter at the appropriate time.)
3. Please mute your microphone when not talking (a moderator may mute you if you haven’t muted yourself; if they do, Zoom won’t let you un-mute until a moderator clears you again.)
4. Based on our experience with no-shows, we reserve the right to issue more tickets than available slots. We don’t want to turn people away based on inaccurate estimates of attendance, but we do have budgetary limits to the number of slots we can make available. If we reach capacity before you log in, we regret that we may have no way to expand capacity at the last minute.
5. Some presenters are distracted when confronted by a sea of video faces or other images, so for some meetings we may ask that you turn your camera/images off during the presentation. If you forget, one of our moderators may do it for you, and you may or may not get a private chat note informing you.
6. During the meeting, there is the matter of your camera. We’re going to leave that up to the presenter; whether they want to see their audience while they present or not. If they want to see who they’re talking to, then you can leave your camera live or not, as you prefer, however if the presenter doesn’t want to see the audience, then we’ll ask you to turn your video off.
7. Moderators have the ability to globally turn everyone’s video off, however turning it back on is troublesome; we are forced to turn cameras back on manually, one by one. There is no way for you to override that. You’ll need your camera live later in the meeting for the self-introductions.
8. Best is that if we ask for cameras to be on or off, that you do this individually on your own.
9. It would be good if you watched the chat stream during the meeting. Not only is it a way to submit questions to the presenters, but it’s also a way for others to contact you personally. You have the option there to direct your comment to anyone who is part of the meeting as well as to one person in particular.
Finally, in the rare instance of behavior by an attendee that moderators believe is disruptive, we reserve the right to immediately eject such attendees.
