MusicTech.Education

Basic Vocal Techniques – FREE Online Vocal Class -Eve Soto VIEW ALL CLASSES
2022-05-11 11:00 - 12:00, 2022-05-10 19:30 - 20:30, 2022-05-10 12:00 - 13:00, 2022-05-09 18:00 - 19:00, 2022-05-07 13:00 - 14:00 (America/New_York) | NSW
This is a fun and interactive online singing class in which you will learn the techniques needed to practice to improve your singing

Studio One E-Meetup – Washington State
2022-05-10 18:00 - 20:00 (America/Los_Angeles) | NSW
Come hang out with Studio One Meetup Captain Daniel Schauer and talk about music, production, mixing & of course Studio One!

Electronic Auditory Research Seminar – January 2022 (EARS)
2022-05-10 17:00 UTC | NSW
We would like to invite you to join us for the next edition of E.A.R.S. (Electronic Auditory Research Seminars), a monthly auditory seminar series with the focus on central auditory processing and circuits. Please pre-register (for free) and tune in via Crowdcast (enter your email to receive the link for the talk): https://www.crowdcast.io/e/ears
Featuring: Diego Elgueda (University of Chile), Narayan Sankaran (University of California San Francisco)
Host(s): MindCORE, UPenn
Website: https://www.crowdcast.io/e/ears
“

Last Minute Productions: SINGING Group lessons with Asahi
2022-05-10 15:30 - 17:30 (Australia/Sydney) | Redfern Community Centre, 29-53 Hugo Street, Redfern, NSW, 2016, Australia
Last Minute Productions offers free group singing classes facilitated by @asahitakahashi.

How to prioritise self-care when working in music
2022-05-09 11:00 - 12:00 (Europe/London) | NSW
Join us for these guided self-care sessions, providing strategies to help you manage stress, anxiety and panic attacks.

Baltic Nordic-Acoustic Meetings/European Acoustics Association (EUROREGIO/BNAM 2022)
2022-05-09 00:00 UTC | NSW
In May 9-11 2022, Aalborg will host the bi-annual Baltic Nordic-Acoustic Meetings (organized by the Nordic Acoustic Association), which this time is merged with the EUROREGIO (organized by the European AcousticsAssociation). The conference brings together academics, engineers, consultants and other practitioners in the wide field of acoustics. Host(s): EAA, NAA and the Danish Acoustical Society Website: https://bnam2022.org Submissions Due: Jan 20, 2022

Songwriting & Recording – From Start To Finish
2022-05-08 19:15 - 20:15, 2022-05-08 18:00 - 19:00 (America/New_York) | NSW
Develop songwriting and recording techniques to complete your music project. Or Just write a song!

ReadyToSing TEENS + Singing Classes
2022-05-08 15:00 - 16:00 (America/New_York) | NSW
Teens will enjoy this Interactive ,theme oriented vocal class in which teens will learn singing techniques

Accessibility In The Music Industry
2022-05-07 12:00 - 13:30 (America/New_York) | NSW
Join us for a live zoom interview Q&A and Community Engagement session with accessibility activists in the music industry!

This event is sponsored by Finessed Media, Inc. and hosted by Saige Defreitas.
RSVP to attend
—
In the music industry, there is a lack of accessibility that affects the majority of musicians and fans with disabilities. In this event, Cassie Wilson and Sabeerah Najee will be speaking to us about their initiatives and efforts to making the industry more accessible and why it can no longer be overlooked.
We will be joined by:
Cassie Wilson (she/her) – Founder of Half/Access
Sabeerah Najee – Artist/ DJ
—
Agenda:
12 – 12:10pm EST Introductions
12:10 – 12:45pm EST Interview with Cassie Wilson + Sabeerah Najee
12:45 – 1:00pm EST Q&A with the audience
1:00 – 1:30 pm EST Community Networking Session

Cassie Wilson fell in love with live music as a teen and could be found at every local show for her favorite upcoming artists in Portland. Born with a form of Dwarfism that led to her being an ambulatory wheelchair user, after a few years of being front row at every show, Cassie started speaking up on social media about the inaccessibility of concert venues. She connected with other disabled music fans across the country experiencing similar challenges and decided to start Half Access as a way to increase accessibility to live music for everyone.

Sabeerah Najee, a Long Beach native, has been surrounded by music since birth. During the 90s, Najee’s father was a security guard to many artists in the music industry. Her mother and grandmother filled the home with music by serenading their home and her grandfather has an impressive collection of every jazz record you could think of. Najee was born with Spina Bifida and requires the use of a wheelchair to get around. Despite these obstacles, her loved ones instilled in her that she can do anything she puts her mind to. Once she fell in love with DJing, her passion continued to be her driving force, as she is living out her dreams. Sabeerah has DJ’d the second annual Soulection Experience at the Shrine Auditorium in Los Angeles, has opened for legendary EDM producer Mr.Carmack on his tour, and recently DJ’d Coachella’s Mojave stage to name a few. She is also the Concept Producer for Goldenvoice’s accessibility initiative, Accessible+. Sabeerah is a firm believer in manifestation and that with the power of community, any dream is attainable.

Vocal Improvisation Techniques – Riffing , Scatting & Song Styling
2022-05-07 11:00 - 12:00 (America/New_York) | NSW
Find your voice & sing it YOUR way!
Learn and practice techniques and exercises to perform and style a song. The techniques we practice in t

Reality is Boring: Expressing Feelings/Movements via Impressionistic Foley
2022-05-06 18:00 - 22:30 (America/Los_Angeles) | NSW
We will see and hear artistic use of the Foley process , which is the recording of sound cues appropriate to the action on the screen

ZOOM MEETING 6:00PM PDT (UTC -7)
Friday, May 6, 2022
Presented by
Joanna Fang
and
The Pacific Northwest Section of the Audio Engineering Society

Note that this meeting starts at 6:00pm Pacific Daylight Time, which is UTC -7. There are many countries in the world where that is the middle of normal sleep time, so if you intend to sleep normally that day you may want to watch the video when it comes out rather than signing up here and not showing up.
That said, it’s free to sign up, so do whatever makes you happy.
This will be a Zoom meeting.

Presentation Description:
In filmmaking, Foley is the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality. These reproduced sounds, named after sound-effects artist Jack Donovan Foley, can be anything from the swishing of clothing and footsteps to squeaky doors and breaking glass. Foley sounds are used to enhance the auditory experience of the movie. Foley can also be used to cover up unwanted sounds captured on the set of a movie during filming, such as overflying airplanes or passing traffic.
Places where the Foley process takes place are often referred to as a Foley stage or Foley studio. Foley artists recreate the realistic ambient sounds that the film portrays. The props and sets of a film often do not react the same way acoustically as their real life counterparts, requiring filmmakers to Foley the sounds. The best Foley art is so well integrated into a film that it goes unnoticed by the audience. It helps to create a sense of reality within a scene. Without these crucial background noises, movies feel unnaturally quiet and uncomfortable.
The Wikipedia page about Foley
Some questions about Foley:
How do we craft sound effects for a warm embrace, a desperate walk, or a fluttering heart?
Filmmakers, game developers, and musicians often try to render meaningful and empathetic performances through sound design and Foley. But what is the implication for Foley artists in a world that’s exponentially recorded and archived? Where is the line between “cheating” a sound for an audience’s emotional response, and achieving forensically accurate sound reproduction in increasingly augmented or fully virtual productions?
Joanna will address these and other issues in her presentation.
Additional information can be found at
Pacific Northwest Section of the Audio Engineering Society Website.
Go here to get on our emailing list.
THIS EVENT IS FREE, OPEN TO ALL, AND AES MEMBERSHIP IS NOT REQUIRED

About The Presenter
Joanna Fang is an Emmy Award winning Foley artist and sound editor. An alumna of NYU Film, Joanna spent the first 12 years of her career performing custom Foley and sound effects for film and TV in New York with Alchemy Post Sound.
Having transitioned into interactive work, Joanna was recently brought on to co-lead and develop Sony Playstation’s in-house Foley team.
Her Foley can be heard in films (The Texas Chainsaw Massacre), games (Horizon Forbidden West), and music videos (Mitski’s Working for the Knife).
Alchemy Post Sound
Joanna’s Facebook Page (must log in to Facebook to see)

PNW AES Zoom Meetings
We started holding our meetings via Zoom beginning with the April 2020 meeting. Zoom has dramatically increased our reach, well beyond our Section’s geographic area. Since doing this, we’ve regularly had attendees from:
-most Provinces in Canada;
– most countries in:
–Europe,
–Central and South America;
-Japan,
-India,
-Indonesia,
-Malaysia,
-Australia,
-and more. It’s been unbelievable how many cool audio people we’ve met.
Zoom gives the ability to record videos of our meetings, and those recordings are individually posted in our past meetings Archive. For now, the collected videos from our Zoom meetings can be found (mostly) at Dan Mortensen’s DansoundSeattle YouTube channel.
We use EventBrite to manage our free tickets to meetings. You are in the right place to RSVP for your ticket for this event.
The Zoom URL and physical meeting location (if this is a hybrid meeting) will be sent in three reminders: two days, the morning of, and two hours before the event starts.
When you register at EventBrite and when you enter the Zoom meeting, please use your real first and last names so we can get to know each other. You do NOT need to create an EventBrite account to register.

Please Note
In order to maintain decorum and avoid interruptions, even unintended ones, we have established a few ground rules for meeting attendees:
1. We want to see your full name on display in Zoom at the meeting.
2. The presenter(s) will determine if they can accept questions during the presentation, or wait until specific Q&A times, and that will be announced at the beginning of the meeting. (We often use the “chat” feature to allow attendees to ask questions when they think of them, with moderators passing them on to the presenter at the appropriate time.)
3. Please mute your microphone when not talking (a moderator may mute you if you haven’t muted yourself; if they do, Zoom won’t let you un-mute until a moderator clears you again.)
4. Based on our experience with no-shows, we reserve the right to issue more tickets than available slots. We don’t want to turn people away based on inaccurate estimates of attendance, but we do have budgetary limits to the number of slots we can make available. If we reach capacity before you log in, we regret that we may have no way to expand capacity at the last minute.
5. Some presenters are distracted when confronted by a sea of video faces or other images, so for some meetings we may ask that you turn your camera/images off during the presentation. If you forget, one of our moderators may do it for you, and you may or may not get a private chat note informing you.
6. During the meeting, there is the matter of your camera. We’re going to leave that up to the presenter; whether they want to see their audience while they present or not. If they want to see who they’re talking to, then you can leave your camera live or not, as you prefer, however if the presenter doesn’t want to see the audience, then we’ll ask you to turn your video off.
7. Moderators have the ability to globally turn everyone’s video off, however turning it back on is troublesome; we are forced to turn cameras back on manually, one by one. There is no way for you to override that. You’ll need your camera live later in the meeting for the self-introductions.
8. Best is that if we ask for cameras to be on or off, that you do this individually on your own.
9. It would be good if you watched the chat stream during the meeting. Not only is it a way to submit questions to the presenters, but it’s also a way for others to contact you personally. You have the option there to direct your comment to anyone who is part of the meeting as well as to one person in particular.
Finally, in the rare instance of behavior by an attendee that moderators believe is disruptive, we reserve the right to immediately eject such attendees.

What Are You Syncing – Music NFTS
2022-05-06 18:00 - 20:30 (Australia/Sydney) | NSW
What Are You Syncing? Music NFTS:
Online free course by Micha Walter. Empowering artists to create and sell your own radio ready music.

Australasian Jazz and Improvisation Research Network Conference (AJIRN )
2022-05-06 00:00 - 2022-05-09 00:00 UTC | NSW
The 2022 AJIRN conference theme Space is the place” invites participants to think about where improvisation occurs, where it might occur, how it interacts with its spaces and places, the movements and migratory patterns of improvising artists, what role locality in any of its forms plays in improvisation studies, and more. Many forces today, not least the increasing awareness that international travel on a large scale is ecologically unsustainable?conspire to drive us to rethink “the local” as the primary place of our collaborative practices. Might this lead to a culture shift in which local agency replaces the traditional hegemonic centersof creative practice? Conversely, the COVID-19 pandemic has stimulated many novel modes of creative collaboration via technologically-afforded “virtual” spaces. So while “the local” is being reclaimed as the foundationalcollaborative locus, it is simultaneously taking on new registers, since even disparate spaces and places can be conjoined to form new virtual localities. Here Sun Ra’s insistence that “space is the place” takes on dynamic new valences, from local place to cyberspace. We welcome proposalsfor individual papers, performances, panel discussions, and hybrid formats that engage this theme. Assuming travel is possible in 2022, we are planning for a hybrid conference with robust on-the-ground activities but also opportunities for remote participation. Host(s): Queensland Conservatorium Website: http://www.ajirn.com/ Submissions Due: Jan 31, 2022″

Studio One E-Meetup – France
2022-05-05 19:00 - 20:30 (Europe/Paris) | NSW
Rejoignez notre Studio One E-Meetup français pour un moment convivial afin de parler production musique/mixage avec S1 Captain James Haver!

DJ Introductory Course
2022-05-05 18:30 - 20:30, 2022-05-04 18:30 - 20:30 (Australia/Sydney) | Redfern Community Centre, 29-53 Hugo Street, Redfern, NSW, 2016, Australia
Learn to DJ with Australia’s #1 Urban DJ

LOGIC PRO X – Beginner / Advanced 10 week Free Super Course
2022-05-05 13:00 - 15:00 (Australia/Sydney) | Redfern Community Centre, 29-53 Hugo Street, Redfern, NSW, 2016, Australia
((((UPDATED COURSE INFORMATION)))))
LOGIC PRO X – 10 week free course will RETURN THURSDAY 3RD MARCH AT 1.00PM

Careers and Music Teachers Day -Melbourne
2022-05-05 10:00 - 15:00 (Australia/Melbourne) | Australian Institute of Music Melbourne, 120 King Street, Melbourne, VIC, 3000, Australia
Find out how your students can benefit from a career in music and studying at AIM!

Being held on Thursday 5 May from 10.00 -15.00 this is your chance to:

hear about careers in the music industry from students, alumni and industry professionals
hear about the wide variety of AIM courses and where they can take your students
find out how you can help prepare students for study and a career in music and,
witness the range of talented students studying at AIM!

LOGIC PRO X – Beginner / Advanced 10 week Free Super Course
2022-05-05 10:00 - 14:00 (Australia/Sydney) | Redfern Community Centre, 29-53 Hugo Street, Redfern, NSW, 2016, Australia
((((UPDATED COURSE INFORMATION)))))
LOGIC PRO X – 10 week free course IS NOW HELD ON THURSDAY”S…

Ableton Live – 10 week Super Course for Beginner to Advanced
2022-05-05 09:30 - 12:30 (Australia/Sydney) | Redfern Community Centre, 29-53 Hugo Street, Redfern, NSW, 2016, Australia
A FREE 10 week super course facilitated by Billy Kang from TAFE (Ultimo).
An Industry Professional with 5+ years teaching Ableton Live!

Studio One E-Meetup – Pennsylvania
2022-05-04 21:00 - 23:00 (America/New_York) | NSW
Come hang out with Robert “Ziggy” Ziegler and talk about music, production, and of course Studio One!

Last Minute Productions / Royalties Rights Regulations and Recordings
2022-05-04 19:00 - 20:00 (Australia/Sydney) | Redfern Community Centre, 29-53 Hugo Street, Redfern, NSW, 2016, Australia
Songwriting and Recording Rights.
Understand your songwriting and recording rights and how to register, protect yourself and earn royalties.

Last Minute Productions – Royalties Rights Regulations and Recordings
2022-05-04 19:00 - 20:00 (Australia/Sydney) | Redfern Community Centre, 29-53 Hugo Street, Redfern, NSW, 2016, Australia
