BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//MusicTech.Education - ECPv5.13.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:MusicTech.Education
X-ORIGINAL-URL:http://musictech.education
X-WR-CALDESC:Events for MusicTech.Education
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Vancouver
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20220313T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20221106T090000
END:STANDARD
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20220313T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20221106T070000
END:STANDARD
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
TZID:Europe/Berlin
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20221030T010000
END:STANDARD
TZID:America/Mexico_City
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20220403T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20221030T070000
END:STANDARD
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20221030T010000
END:STANDARD
TZID:Europe/Madrid
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20221030T010000
END:STANDARD
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20220313T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20221106T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20220220T140000
DTEND;TZID=America/Vancouver:20220220T160000
DTSTAMP:20260629T144017
CREATED:20220205T172536Z
LAST-MODIFIED:20220205T172536Z
UID:416-1645365600-1645372800@musictech.education
SUMMARY:Studio One E-Meetup – Canada West
DESCRIPTION:Come hang out with Studio One Captain Robert John Pilkington and talk about music\, production\, and Studio One!
URL:http://musictech.education/event/studio-one-e-meetup-canada-west/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/33d6edacf1c3b37b9cef245bff80dce3-XACeFw.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220219T200000
DTEND;TZID=America/Chicago:20220219T220000
DTSTAMP:20260629T144017
CREATED:20220205T172534Z
LAST-MODIFIED:20220205T172534Z
UID:414-1645300800-1645308000@musictech.education
SUMMARY:Studio One E-Meetup – Illinois
DESCRIPTION:Come hang out with Johnny Geib from Home Studio Trainer (HST) and talk about music\, production\, mixing & of course Studio One!
URL:http://musictech.education/event/studio-one-e-meetup-illinois/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/ab384c8726be8377552c7c2a7aa21de4-1-WEUfxR.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220219T120000
DTEND;TZID=America/New_York:20220219T133000
DTSTAMP:20260629T144017
CREATED:20220219T151859Z
LAST-MODIFIED:20220219T151901Z
UID:498-1645272000-1645277400@musictech.education
SUMMARY:Monetization Beyond Music: Building Different Businesses Around Your Brand
DESCRIPTION:Join us for a live Zoom interview\, Q&A\, and listening session to discuss how to build different businesses around your brand\, beyond music.\n\n\nThis event is sponsored by Finessed Media\, Inc. and hosted by Bea Dimaculangan. \n—- \nRSVP to attend. \n—- \nAre you a multi-faceted creative with diverse ambitions but don’t know where to focus your energy? \nThe traditional “blueprint” to becoming successful in the music industry is becoming more & more outdated – the possibilities for entrepreneurship have expanded and artists don’t have to be pigeonholed into one lane. From content creation\, to educational products\, to brand partnerships\, there are now endless ways to monetize your brand. \nThis Saturday 02/19 we’ll be joined by Jay Manuel\, aka Mini Producer\, who has found success in multiple pursuits including music production\, acting\, & influencer content creation. \nJoin us to learn how music creatives can successfully build different businesses around their brand\, beyond just music. \n—- \nAgenda: \n12 – 12:10pm ET Introductions \n12:10 – 12:45pm ET Interview with Jay Manuel\, Mini Producer \n12:45 – 1pm ET Live Q+A with Zoom Audience \n1 – 1:30pm ET Networking/Listening Session \n—- \nLISTENING SESSION \nThe event will be concluded with our weekly listening session. 6-8 artists will have a chance to play their music in front of a live audience and will receive constructive criticism from our speakers. \nTo be considered for music play in the listening session\, artists must purchase a SUBMISSION REVIEW ticket and submit one song LINK (preferably Spotify) by Friday 2/11 at 9pm ET with subject line “SATURDAY SUBMISSION” to info@finessed.media. \nOur team will screen your music for relevancy to audience\, quality\, and how beneficial the feedback will be. If your submission is not accepted\, you will receive a full refund. Submissions that are accepted will have 1:30 to 2 min of their song played in front of the audience. \nMust be a Finessed Media VIP Career Development member or purchase a SUBMISSION REVIEW ticket for consideration. \nObtain membership here. \nSongs will be reviewed before the listening session and your purchase will be refunded if the song is not accepted. \n—————– \nAtlanta-based music producer Jay Manuel\, better known as Mini Producer\, started his music production journey at the age of 14\, after receiving his first music equipment set\, from his father. Over the years\, he has worked with both major and independent recording artists\, gaining considerable industry experience and knowledge along the way. \nTo date\, MP has been giving his audience a front row seat into the inner workings of his life on his Youtube Vlog Channel. He also hosts his IG LIVE Music Review Show titled\, “The Come Up” in which artists and producers submit their best tracks for review by him and a celebrity host to give their honest feedback in real time. MP does this all while producing music\, auditioning for acting roles\, creating influencer content and submitting for voiceover placements. \n—————– \nFinessed Media is a New York City based start-up focused on developing content in all things music entrepreneurship and creation. The company was founded in January 2020 with the mission to provide resources for a worldwide audience interested in making it in the music industry in any capacity. \nOur contributors spotlight music and stories of artists\, A&R reps\, DJs\, music tech executives\, radio hosts\, and more to speak on their experiences and share insight for others to learn from. These stories are provided via videos\, online lessons\, news updates\, and events. \nThe Finessed community has grown into a global audience for its work in promoting all genres and for providing a platform for all aspiring music industry entrepreneurs. \nPast events can be viewed below or on YouTube at https://www.youtube.com/channel/UCFG9Wwo4NzSfXJlxT_CYt6g? \nJoin our community at Finessed Media. \n—————–
URL:http://musictech.education/event/monetization-beyond-music-building-different-businesses-around-your-brand/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/6980f66edfd8e967012571ebc7746325-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220219T110000
DTEND;TZID=America/New_York:20220219T120000
DTSTAMP:20260629T144017
CREATED:20220205T172534Z
LAST-MODIFIED:20220205T172534Z
UID:413-1645268400-1645272000@musictech.education
SUMMARY:Vocal Improvisation Techniques – Riffing \, Scatting & Song Styling
DESCRIPTION:Find your voice & sing it YOUR way!\nLearn and practice techniques and exercises to perform and style a song. The techniques we practice in t
URL:http://musictech.education/event/vocal-improvisation-techniques-riffing-scatting-song-styling-3/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/af98b4580434e2cc2d12fa8cf15c989c-wVWltV.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220217T200000
DTEND;TZID=America/New_York:20220217T220000
DTSTAMP:20260629T144017
CREATED:20220205T172532Z
LAST-MODIFIED:20220205T172532Z
UID:411-1645128000-1645135200@musictech.education
SUMMARY:Studio One E-Meetup – Ohio
DESCRIPTION:Come hang out with Nate Kelmes and talk about music\, production\, mixing\, mastering & of course Studio One!
URL:http://musictech.education/event/studio-one-e-meetup-ohio/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/fc92b0858ede4d5b348a2f037be1c66f-aUn9Ij.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220217T180000
DTEND;TZID=Europe/Berlin:20220217T220000
DTSTAMP:20260629T144017
CREATED:20220205T172532Z
LAST-MODIFIED:20220205T172532Z
UID:409-1645120800-1645135200@musictech.education
SUMMARY:IASPM Research Seminar February 2022
DESCRIPTION:Memory and Machines: Perspectives on Narratives and Aesthetics in Popular Music\n\n\nThis is the monthly research seminar of the International Association for the Study of Popular Music (IASPM). This month the event is being curated by the DACH Branch of IASPM and will have two presentations. \n \nConstructing and Re-Structuring Groove and Aesthetics – Drum Machines as Narrative Agents in Popular Music \nRobert Michler\, Graduate School of the Arts and Humanities\, Bern University\, Switzerland \nDrum machines as analogue and digital rhythmical devices have set a new approach of accuracy since the 1980s. Using a rhythmical grid and introducing a new set of aesthetics with their electronic beats\, they have laid the foundation for a paradigm shift in pop and rock music regarding groove\, which was later to be completed by the introduction of quantisation in digital music software\, manifesting the fixed rhythmic grid as the most axiomatic element of the groove. The origin of these new music technologies\, which I refer to as machine-based-groove\, can be traced back to the 1970s and more rudimentary devices\, especially preset-based drum machines\, which were used in subcultural genres until innovative\, programmable drum machines with the ability to create custom grooves entered the mainstream of pop. Focusing on drum machines’ diverse characteristics\, this presentation addresses the extent to which their functions\, sounds and characteristics can be perceived as narratives\, through offering re- and constructed grooves within networks of musicians and producers. On the basis of selected successful pop songs\, the presentation explores how specific drum machine devices from the 1980s such as the Roland TR-808\, Linn-Drum\, and Oberheim DMX have functioned as role models for the new technology\, and how their sounds and characteristics became essential to the sound of the decade. In addition\, looking back at drum machines of the 1970s\, the presentation foregrounds their important overlooked aspects as narrative agents. In doing so\, the presentation shows how rhythmic music technology manifests artists’ intentions\, identities\, and sonic fictions\, and conveys cultural backgrounds through machine-based groove. This opens up the discussion of how drum machines can offer new perspectives on music technology\, narrative\, aesthetics\, cultural practices\, and networks. \n \nRemembering National Socialism: Counter-Narratives in German Hip-Hop \nThomas Sebastian Köhn\, Institute of Fine Arts\, Music and Education\, Leuphana University Lüneburg\, Germany \nThe Berlin-based rapper Ben Salomo and the Leipzig-based rapper Reimteufel have produced and disseminated hip-hop tracks that engage with family memories and collective memories of the Holocaust and World War II. These memories are interwoven with various historical\, political\, and religious discourses\, referring to current processes of marginalization\, to Jewishness\, and memory sites. Focusing on the tracks ”Stolpersteine” (stumbling stones)\, released in 2012 by Reimteufel\, and on the tracks “Identität” (identity) and “Deduschka” (grandfather) released in 2016 and 2020 by Ben Salomo\, the presentation explores how the tracks employ counter-narratives (Köhn 2021) that not only abandon victim-centered perspectives but also question and criticize institutionalized memory culture. Drawing on a combination of music analysis (Moore 2012\, von Appen/Doehring 2014\, Steinbrecher 2016)\, video analysis (Flick 2011\, Erll 2014) and ethnography (Pink 2015\, Schoop 2021)\, this presentation examines how counter-narratives are negotiated in the hip hop tracks and the accompanying music videos through the aesthetics of lyrics and flow (Kautny 2009) in combination with sampling (Stratton 2016) and material culture (Golańska 2020). Bringing popular music studies and cultural memory studies into dialogue\, the presentation demonstrates how hip-hop serves as a medium for establishing an activist\, anti-racist\, and reflective post-Holocaust perspective in a musical memory practice.  \n \nRobert Michler studied jazz-drums performance\, pedagogy in music\, and musicology. He is currently a doctoral researcher at the Graduate School of the Arts and Humanities at Bern University\, Switzerland. His dissertation focuses on the impact of drum machines and quantisation between 1980 and 1995\, investigating new approaches to aesthetics and groove in pop-and rock-music productions. In addition\, he is active as a producer for music and film\, and develops educational materials for the department for University Didactics and E-learning at Bern University of Applied Sciences. \nThomas Sebastian Köhn is a doctoral researcher at the Institute of Fine Arts\, Music\, and Education at Leuphana University Lüneburg\, Germany. Since 2019\, he has conducted research on memories of the Holocaust and World War II in contemporary German-language hip-hop and in auditory media in World War II related exhibitions. In his research\, he combines approaches from music and media analysis\, ethnomusicology\, and soundscape analysis. His research interests include the intersections between musicology\, sound studies\, and cultural memory studies.
URL:http://musictech.education/event/iaspm-research-seminar-february-2022/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/f1e1d28d9997fcdfef625fe83247d60f-VPqfDK.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Mexico_City:20220216T180000
DTEND;TZID=America/Mexico_City:20220216T200000
DTSTAMP:20260629T144017
CREATED:20220205T172530Z
LAST-MODIFIED:20220205T172530Z
UID:406-1645034400-1645041600@musictech.education
SUMMARY:Studio One E-Meetup – Hispanoamérica
DESCRIPTION:¡Ven a pasar tiempo con Studio One Capitanes Nate Chávez\, Adrián Meléndez y Ronald Acevedo\, ¡y habla sobre Sphere en detalle!
URL:http://musictech.education/event/studio-one-e-meetup-hispanoamerica/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/b547495528c114dc522a1e7cb211ffd8-yj1yBJ.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220216T180000
DTEND;TZID=America/New_York:20220216T190000
DTSTAMP:20260629T144017
CREATED:20220205T172529Z
LAST-MODIFIED:20220205T172529Z
UID:405-1645034400-1645038000@musictech.education
SUMMARY:Basic Vocal Techniques – FREE Online Vocal Class -Eve Soto VIEW ALL CLASSES
DESCRIPTION:This is a fun and interactive online singing class in which you will learn the techniques needed to practice to improve your singing
URL:http://musictech.education/event/basic-vocal-techniques-free-online-vocal-class-eve-soto-view-all-classes-2/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/5b6b3f13820cb527241009be554603ab-jL5D02.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220216T120000
DTEND;TZID=Europe/London:20220216T130000
DTSTAMP:20260629T144017
CREATED:20220205T172524Z
LAST-MODIFIED:20220205T172524Z
UID:403-1645012800-1645016400@musictech.education
SUMMARY:Liberate Sessions – Nutritious Minds
DESCRIPTION:Join Dr. Rachel Gow to discuss how better food\, nutrition and overall diet can help to improve your mindset\, behaviour and mood.\n\n\nDo you know how much nutrition influences your cognitive function\, behaviour and mood? \n\nJoin Dr. Rachel Gow to discuss how better food\, nutrition and overall diet can help to improve your mindset\, behaviour and mood. \nRachel Gow\, has specific expertise in ADHD\, Autism\, Depression\, Anxiety and related learning and behaviour conditions and\, she has worked in the field of Nutritional Neuroscience for many years. \nCollectively\, Dr. Rachel has approximately 18 years of psychological research and experience. She has published\napproximately 22 peer reviewed book chapters and scientific papers. \n \nLiberate – mind\, body and soul. \nTo me mental health and wellbeing is about looking after your mind\, body and soul. \nThe same way\, we look after our physical health. By joining a gym\, playing sports\, walking or stretching\, we need to look after our mental health too. \nTo look after our mental health\, we can meet with friends\, take a long bath\, read a book or meditate. \nHowever\, sometimes we might need extra help with our physical health and also our mental health too. \nThis is why Bee and Adam – Founders of Liberty Music PR\, have set up Liberate\, with the aim to support and promote artists mental health and wellbeing. Research has shown this is a key issue within the music industry\, which is why Liberate are providing a holistic approach to support\, and ensuring the artists voices are heard. \nJoin our live Liberate Session hosted by the amazing Rich Walker to talk about mental wellbeing\, good practices and how you can start your day\, week\, month in a better place than you were.
URL:http://musictech.education/event/liberate-sessions-nutritious-minds/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/6db776c02856ff390c9149d2903aa94c-hczxj0.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220216T100000
DTEND;TZID=Europe/London:20220217T160000
DTSTAMP:20260629T144017
CREATED:20220205T172522Z
LAST-MODIFIED:20220205T172522Z
UID:400-1645005600-1645113600@musictech.education
SUMMARY:MPA The Publishing Effect – A 101 of Music Publishing
DESCRIPTION:Join us for the MPA’s virtual course ‘The Publishing Effect – A 101 of Music Publishing with sponsors Vistex\n\n\nJoin us for two days of talks and discussions putting the spotlight on all areas of music publishing; copyright royalties\, sync\, societies\, legal issues and data.  \nDay 1 – How does Publishing work?  \nWe will cover all the fundamentals behind music publishing\, including a talk from Sentrics Simon Pursehouse explaining ‘WTF is Music Publishing’.  \nGain expert insights on copyright\, publishing specialities\, publishing agreements\, collecting income as well as an opportunity to ask the experts any questions you might have.  \nDay 2 – Creative Relationships  \nDay 2 will centre around creative relationships\, sync\, partnerships & networks.  \nTopics covered will include sync licensing\, sub publishing as well as some incredible ‘In Conversations’ with music publishing royalty. \nIf you have any questions about the course please contact our Partnerships & Events Manager Natalie on natalie.graham@mpagroup.com  \nNXT-Gen Members receive 50% off our training courses please contact our Membership & Events Manager Natalie on natalie.graham@mpagroup.com for more details.  \nWith thanks to our sponsors Vistex. With Vistex\, business stakeholders can see the numbers\, see what really works\, and see what to do next – so they can make sure every dollar spent or earned is really driving growth\, and not just additional costs.
URL:http://musictech.education/event/mpa-the-publishing-effect-a-101-of-music-publishing/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/695c4263d236092c532883b0e6173b8e-6AC2Dq.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220215T193000
DTEND;TZID=America/Chicago:20220215T210000
DTSTAMP:20260629T144017
CREATED:20220205T172521Z
LAST-MODIFIED:20220205T172521Z
UID:397-1644953400-1644958800@musictech.education
SUMMARY:WMV Musician Workshop #16: Know Your Rights- Legal Aspects of Songwriting
DESCRIPTION:Led by Bryan T. Kroes & Peter J. Strand\n\n\nWisconsin Music Ventures hosts monthly musician workshops via Zoom that touch on important topics for musicians in the industry.  \n(Song)writers Know Your Rights: Legal Aspects of Songwriting. \nWe will be talking about legal aspects of songwriting\, specifically: \n-What are the elements of a song? \n-What makes a song protectable by copyright? \n-What isn’t protectable by copyright? \n-Types of copyrights (composition vs. sound recording). \n-Who is considered an author under copyright law? \n-How to assess percentage of authorship/ownership. \n-How to address collaboration\, joint authorship\, and joint works. \n-What is work made for hire? \n-Considerations for use of beats\, samples\, and interpolations. \n-Songwriting income. \nBryan T. Kroes is a shareholder with Hurtado Zimmerman SC in Wauwatosa\, Wisconsin. Bryan’s law practice includes entertainment\, construction\, real property\, and municipal bond finance. \nAs an entertainment attorney\, Bryan represents musicians\, artists\, record labels\, theater owners\, and other creative types. A lifelong musician himself with an extensive history of touring and production work\, Bryan brings a seasoned\, unique\, and personal approach to the business side of entertainment. Bryan is also a founding member and currently serves as Treasurer\, for the Wisconsin Entertainment Lawyers Association. \nBryan’s law practice also concentrates on construction contract negotiation\, including intellectual property law issues\, and commercial and residential real property acquisition. He represents trade contractors\, designers\, and owners in dispute resolution related to perfection of lien rights\, defect claims\, property purchases\, sales\, leasing\, and related intellectual property protection. He also has experience in public bond finance\, including revenue anticipation\, commercial line of credit\, and general obligation fundings.  \nPeter Strand has extensive experience drafting\, analyzing\, revising\, and negotiating complex entertainment industry agreements including record contracts\, music publishing agreements\, literary publishing agreements\, film and television production agreements (producer\, director\, actor\, composer\, location\, etc.)\, content and catalog acquisition and distribution agreements\, and agreements between creative collaborators (songwriters\, co-authors\, bands\, production companies). These entertainment industry agreements typically address issues of ownership\, compensation (royalties\, advances\, back end\, upfront fees\, and buy-out fees) control\, credit\, and content acquisition (options\, licenses\, works made for hire). He has represented authors\, film/television production companies\, recording artists\, songwriters\, on-screen and behind-the-camera talent\, record producers\, composers\, and life story subjects.
URL:http://musictech.education/event/wmv-musician-workshop-16-know-your-rights-legal-aspects-of-songwriting/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/ee2537a16b557514c3b63725acdb2534-1-aUAHOw.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20220215T190000
DTEND;TZID=Europe/Madrid:20220215T203000
DTSTAMP:20260629T144017
CREATED:20220205T172518Z
LAST-MODIFIED:20220205T172518Z
UID:394-1644951600-1644957000@musictech.education
SUMMARY:Studio One E-Meetup – Spain
DESCRIPTION:¡Ven a pasar un rato con Studio One Captain Julio Navas y charla sobre música\, producción y Studio One!\n\n\n\n\nEl E-Meetup se llevará a cabo en Zoom: https://presonus.zoom.us/j/83611378853\nZoom Meeting Passcode: s1meetup\n\n– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –  \n \nLos Meetups de Studio One son esencialmente reuniones organizadas por usuarios entusiastas de Studio One\, nuestros Capitanes. El primer Studio One Meetup se inició en NAMM 2020\, y nos sorprendió el increíble apoyo que esta idea recibió desde el principio. Solo en febrero\, se realizaron más de una docena de Meetups de Studio One en todo el mundo\, con muchos más en preparación. Quedó muy claro que Studio One es mucho más que un simple software para nuestros usuarios: es una pasión que une personas. \n \nSiempre que ha sido posible\, empleados\, artistas y los propios desarrolladores de PreSonus han participado en estos Meetups. Nos esforzamos continuamente por eliminar las barreras de comunicación entre la empresa y nuestros seguidores\, y creemos que los Meetups de Studio One son una de las mejores maneras en que podemos lograrlo. \n \nDesafortunadamente\, nuestros esfuerzos se detuvieron a principios de marzo de 2020\, ya que se hizo cada vez más evidente que estaríamos lidiando con una pandemia a una escala global sin precedentes. ¡Afortunadamente\, gente de todo el mundo ha asumido la responsabilidad al quedarse en casa y aislarse! Y\, sin embargo\, especialmente en tiempos difíciles de preocupación y aislamiento social\, mantenerse en contacto con amigos y aquello que amamos se ha vuelto aún más importante. \n \nEs por eso por lo que nuestra increíble comunidad cree que Studio One E-Meetups son la respuesta perfecta a la creciente sensación de soledad en nuestros corazones en este momento. El hecho de que todos necesitemos aislarnos socialmente no significa que también tengamos que estar solos digitalmente\, ¿verdad? \n \nSi conoces a algún seguidor de Studio One que quiera iniciar su propio Studio One E-Meetup\, o si estás interesado en alojar uno tú mismo\, entonces ponte en contacto por correo electrónico para obtener más información: s1meetups@presonus.com !
URL:http://musictech.education/event/studio-one-e-meetup-spain/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/1847c701a885b85be94da50486518406-WC1jIk.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220215T183000
DTEND;TZID=Europe/London:20220215T203000
DTSTAMP:20260629T144017
CREATED:20220205T172516Z
LAST-MODIFIED:20220205T172516Z
UID:392-1644949800-1644957000@musictech.education
SUMMARY:Mechanics of Music Management: Making Money From Music Copyright In 2022
DESCRIPTION:The Mechanics Of Music Management’ is a training programme from MMF delivered by CMU Insights and led by Chris Cooke and Marcus O’Dair.\n\n\nThe Mechanics Of Music Management’ is a training programme from MMF delivered by CMU Insights and led by Chris Cooke and Marcus O’Dair. A series of six webinars exploring best practice and current trends in artist management\, together these sessions provide a comprehensive guide to artist revenue streams and business models\, music rights and record deals\, fanbase building and direct-to-fan relationships\, and explain where the manager fits in with each of these strands of the business. \nMAKING MONEY FROM MUSIC COPYRIGHT IN 2022 \nHow to make sure your artists aren’t missing out on royalties \nWhenever artists write songs or record tracks they create copyrights. And those copyrights can generate revenue. We provide a user-friendly guide to copyright: what it is\, how it works\, how it makes money and how managers can ensure their clients properly manage\, monetise and enforce their rights. We’ll also explain what PRS\, PPL and MCPS do – and why getting copyright data right can be the difference between being paid and seeing nothing from your plays\, syncs and streams. \nQuestions answered include: \n– What kind of creativity does copyright protect? \n– What kind of control does copyright provide? \n– Who owns your artist’s copyrights? \n– How does copyright make money? \n– What is stopping your artist’s getting paid? \n– Where do PRS\, MCPS and PPL fit in? \nFull price for each individual webinar is £66+VAT. Members get 50% discount and sister organisations gets 25% discount. Please e-mail manasvi@themmf.net for info and discount codes.  Links will be sent out on the day of the training.
URL:http://musictech.education/event/mechanics-of-music-management-making-money-from-music-copyright-in-2022/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/de7a58b98a0ed2a040c1dae6295c4102-1-G9t1PG.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220215T173000
DTEND;TZID=America/Los_Angeles:20220329T193000
DTSTAMP:20260629T144017
CREATED:20220205T135335Z
LAST-MODIFIED:20220326T165643Z
UID:320-1644946200-1648582200@musictech.education
SUMMARY:Podcasting 101
DESCRIPTION:Are you interested in creating a podcast but not sure where to start?\n\n\nThis class will meet 7 times:Tuesdays February 15 – March 29\, 2022  from 5:30-7:30pm.  \nAre you interested in creating a podcast but not sure where to start? Do you have an amazing podcast idea but little professional experience in radio/audio production? You will leave this class with a short TRAILER (30 seconds to 3 min) for the podcast you want to create. Class will cover: \n\nEnvisioning your podcast: format\, structure\, voices/guests\, hosts/cohosts\, frequency\, crafting a STORY\, edited vs interview style\, and eventually name/ logo.\nHome & field recording tips: how to create professional sounding audio without a booth.\nInterviewing / Guest booking \nPro Tools/editing tips\nWriting/scripting for radio\nVoicing/Delivery \nListening party & sharing Industry resources!\n\nPrerequisites/Materials for Podcasting 101: \n\nAudio editing Software: Access to and some familiarity/basic understanding of audio editing software\, (Pro Tools preferred. Backup options: Pro Tools First\, Hindenburg\, Ardour\, Audition\, etc.)\nSmartphone or digital audio recorder: (Android or iPhone\, with software downloaded (we’ll let you know which recording apps we recommend for each). Or a digital audio recorder and headphones.\nFree Google Voice line for recording phone interviews\nBook: So You Want to Start a Podcast– for required class reading assignments.\n\n***NOTE: Attendees can receive refunds up to 7 days before your event start date.*** \n———– \nAbout the Instructor: \n​​Shia Levitt is a longtime public radio journalist who has covered stories for NPR\, Marketplace\, KQED\, and numerous other outlets. She has reported domestically from the U.S.\, and internationally from Asia\, Africa\, and the Middle East. Her beats have included science/health/environment and labor/economics\, among others. In addition to reporting and producing\, Shia has taught radio to young people for WNYC’s Radio Rookies\, for UNICEF in Haiti\, and at the college level both at Mills College in Oakland and at Brooklyn College in New York City. She has produced podcasts for UNICEF and has advised other podcasts on both technical aspects and content. Shia recently joined KALW as a news editor. She also worked in television and is a freelance photographer. \n \n———– \nWomen’s Audio Mission focuses on increasing the gender balance in audio production and technology sectors since less than 5% of the population employed in these sectors are women. There are limited spots available in our events and they often sell out\, so we ask that if you are not woman-identified (transgender or cisgender)\, non-binary or gender non-conforming\, that you reconsider registering. We will not turn anyone away\, but please be mindful that if you take up a seat\, that is one less woman or non binary-identified individual that we can serve. We thank you for your understanding in advance and for joining us in our mission to advance women and girls in music production and the recording arts. \n \nWAMAC
URL:http://musictech.education/event/podcasting-101/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/e2e6304fe1009a6600f81441f4f70459-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220215T173000
DTEND;TZID=America/Los_Angeles:20220329T193000
DTSTAMP:20260629T144017
CREATED:20220205T135335Z
LAST-MODIFIED:20220205T135335Z
UID:321-1644946200-1648582200@musictech.education
SUMMARY:Podcasting 101
DESCRIPTION:Are you interested in creating a podcast but not sure where to start?\nWAMAC\n\n\nThis class will meet 7 times:Tuesdays February 15 – March 29\, 2022  from 5:30-7:30pm.  \nAre you interested in creating a podcast but not sure where to start? Do you have an amazing podcast idea but little professional experience in radio/audio production? You will leave this class with a short TRAILER (30 seconds to 3 min) for the podcast you want to create. Class will cover: \n\nEnvisioning your podcast: format\, structure\, voices/guests\, hosts/cohosts\, frequency\, crafting a STORY\, edited vs interview style\, and eventually name/ logo.\nHome & field recording tips: how to create professional sounding audio without a booth.\nInterviewing / Guest booking \nPro Tools/editing tips\nWriting/scripting for radio\nVoicing/Delivery \nListening party & sharing Industry resources!\n\nPrerequisites/Materials for Podcasting 101: \n\nAudio editing Software: Access to and some familiarity/basic understanding of audio editing software\, (Pro Tools preferred. Backup options: Pro Tools First\, Hindenburg\, Ardour\, Audition\, etc.)\nSmartphone or digital audio recorder: (Android or iPhone\, with software downloaded (we’ll let you know which recording apps we recommend for each). Or a digital audio recorder and headphones.\nFree Google Voice line for recording phone interviews\nBook: So You Want to Start a Podcast– for required class reading assignments.\n\n***NOTE: Attendees can receive refunds up to 7 days before your event start date.*** \n———– \nAbout the Instructor: \n​​Shia Levitt is a longtime public radio journalist who has covered stories for NPR\, Marketplace\, KQED\, and numerous other outlets. She has reported domestically from the U.S.\, and internationally from Asia\, Africa\, and the Middle East. Her beats have included science/health/environment and labor/economics\, among others. In addition to reporting and producing\, Shia has taught radio to young people for WNYC’s Radio Rookies\, for UNICEF in Haiti\, and at the college level both at Mills College in Oakland and at Brooklyn College in New York City. She has produced podcasts for UNICEF and has advised other podcasts on both technical aspects and content. Shia recently joined KALW as a news editor. She also worked in television and is a freelance photographer. \n \n———– \nWomen’s Audio Mission focuses on increasing the gender balance in audio production and technology sectors since less than 5% of the population employed in these sectors are women. There are limited spots available in our events and they often sell out\, so we ask that if you are not woman-identified (transgender or cisgender)\, non-binary or gender non-conforming\, that you reconsider registering. We will not turn anyone away\, but please be mindful that if you take up a seat\, that is one less woman or non binary-identified individual that we can serve. We thank you for your understanding in advance and for joining us in our mission to advance women and girls in music production and the recording arts. \n \nWAMAC
URL:http://musictech.education/event/podcasting-101-2/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/e2e6304fe1009a6600f81441f4f70459-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220215T130000
DTEND;TZID=Europe/London:20220215T160000
DTSTAMP:20260629T144017
CREATED:20220205T172514Z
LAST-MODIFIED:20220205T172514Z
UID:389-1644930000-1644940800@musictech.education
SUMMARY:Get Started with Music Business Taster Day
DESCRIPTION:Join us for a taster session to find out more about a week of free workshops to help turn your music into a sustainable business.\n\n\nFrom Monday 21 – Friday 25 February\, 10am-4pm\, at the Centre for Chinese Contemporary Art we’ll be delivering practical and inspiring music business workshops for musicians aged 18-25. Check out our website for full information. \nFree to join if you’re interested in making money from your music and are working or studying 14 hours a week or less. \nIf you’d like to find out more before expressing your interest\, we’re hosting a taster day on Tuesday 15 February\, 1-4pm\, at the Centre for Chinese Contemporary Art. You can join in-person or online via Zoom.
URL:http://musictech.education/event/get-started-with-music-business-taster-day/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/53b07514f03b427c50ebcf507f877a92-wBFRIR.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220213T180000
DTEND;TZID=America/New_York:20220213T190000
DTSTAMP:20260629T144017
CREATED:20220205T172514Z
LAST-MODIFIED:20220205T172514Z
UID:387-1644775200-1644778800@musictech.education
SUMMARY:Songwriting & Recording – From Start To Finish
DESCRIPTION:Develop songwriting and recording techniques to complete your music project. Or Just write a song!
URL:http://musictech.education/event/songwriting-recording-from-start-to-finish-2/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/e5d62dde7675916fae264f8afba319a2-x4rRAO.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220212T120000
DTEND;TZID=America/New_York:20220319T133000
DTSTAMP:20260629T144017
CREATED:20220212T145225Z
LAST-MODIFIED:20220212T145227Z
UID:456-1644667200-1647696600@musictech.education
SUMMARY:Artist Management 101
DESCRIPTION:Join us for a live Zoom interview\, Q&A\, and listening session to discuss the role of an artist manager and how to pick one for yourself.\n\n\nThis event is sponsored by Finessed Media\, Inc. and hosted by Tammy Henderson. \n—- \nRSVP to attend. \n—- \nOkay so you’e got your song written\, music produced\, recorded your songs and have everything together when it comes to your craft. So what’s next for you? It’s time to get a manager. Often times independent artists don’t know where to start when it comes to finding the manager that is right for them and they don’t know where to start to begin researching the matter. It is crucial to you rmusic career to find a manager that is compatible with you on all levels.  \nThat’s why this Saturday\, February 12th\, we’ll be joined by Anh Vu\, Shelby Chargin\, and Christian McCurdy\, experts on managing artists in the music industry. \nWe’ll be discussing how artists can go about finding a manager\, the role of management\, what are artist can do to prepare for management and more!  \n—- \nAgenda: \n12 – 12:10pm ET Introductions \n12:10 – 12:45pm ET Interview with Anh Vu\, Shelby Chargin\, and Christian McCurdy  \n12:45 – 1pm ET Live Q+A with Zoom Audience \n1 – 1:30pm ET Networking/Listening Session \n—- \nLISTENING SESSION \nThe event will be concluded with our weekly listening session. 6-8 artists will have a chance to play their music in front of a live audience and will receive constructive criticism from our speakers. \nTo be considered for music play in the listening session\, artists must purchase a SUBMISSION REVIEW ticket and submit one song LINK (preferably Spotify) by Friday 2/11 at 9pm ET with subject line “SATURDAY SUBMISSION” to info@finessed.media. \nOur team will screen your music for relevancy to audience\, quality\, and how beneficial the feedback will be. If your submission is not accepted\, you will receive a full refund. Submissions that are accepted will have 1:30 to 2 min of their song played in front of the audience. \nMust be a Finessed Media VIP Career Development member or purchase a SUBMISSION REVIEW ticket for consideration. \nObtain membership here. \nSongs will be reviewed before the listening session and your purchase will be refunded if the song is not accepted. \n—————– \nAnh Vu is a music industry professional with diverse experience at leading companies in music\, entertainment\, and sports industries. She has a background in operations\, marketing\, strategy\, and project management and a deep commitment to supporting artists and the creative community. Her past roles includes working on recording royalties operations and and copyright infringement during her time at UMG\, brand partnerships and digital marketing at CAA. Now she’s focused on building and executing artist strategies through management\, development\, branding\, creative and content strategy\, and live event production.   \n—————– \n The founder of Legion\, Christian McCurdy\, is a multi-faceted executive known for his role in developing and breaking talent particularly in A&R and management. His focus on putting together quality songs landed him A&R positions with labels such as Atlantic Records and LVRN Records . Through managing such producers\, songwriters\, and artists as Nija Charles\, Ant Clemons\, and Jack Rochon\, he has been instrumental in creating numerous hit records for such artists as Drake\, Ariana Grande\, Chris Brown\, Kanye West\, Meek Mill\, Cardi B\, Camila Cabello and many more.  \n—————— \nShelby Chargin grew up in Ohio where she first found her passion for music by attending local shows in and around Cleveland. Growing a knack for blogging and writing regularly on MySpace in 2007\, she began interviewing bands for several websites and MySpace pages. In 2011\, she took her love of writing to Arizona State University to study English with a concentration on Creative Non-Fiction and Rhetoric. While at Arizona State\, Shelby also received her minor in Music Theory. Using this combination of knowledge\, she began her journey into the world of entertainment. \n—————– \nFinessed Media is a New York City based start-up focused on developing content in all things music entrepreneurship and creation. The company was founded in January 2020 with the mission to provide resources for a worldwide audience interested in making it in the music industry in any capacity. \nOur contributors spotlight music and stories of artists\, A&R reps\, DJs\, music tech executives\, radio hosts\, and more to speak on their experiences and share insight for others to learn from. These stories are provided via videos\, online lessons\, news updates\, and events. \nThe Finessed community has grown into a global audience for its work in promoting all genres and for providing a platform for all aspiring music industry entrepreneurs. \nPast events can be viewed below or on YouTube at https://www.youtube.com/channel/UCFG9Wwo4NzSfXJlxT_CYt6g? \nJoin our community at Finessed Media. \n—————–
URL:http://musictech.education/event/artist-management-101/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/258015e6adf96c5d96368dae3a622acd.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220212T110000
DTEND;TZID=America/New_York:20220212T120000
DTSTAMP:20260629T144017
CREATED:20220205T172514Z
LAST-MODIFIED:20220205T172514Z
UID:385-1644663600-1644667200@musictech.education
SUMMARY:Vocal Improvisation Techniques – Riffing \, Scatting & Song Styling
DESCRIPTION:Find your voice & sing it YOUR way!\nLearn and practice techniques and exercises to perform and style a song. The techniques we practice in t
URL:http://musictech.education/event/vocal-improvisation-techniques-riffing-scatting-song-styling-2/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/af98b4580434e2cc2d12fa8cf15c989c-wVWltV.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220211T160000
DTEND;TZID=America/Chicago:20220211T180000
DTSTAMP:20260629T144017
CREATED:20220205T172512Z
LAST-MODIFIED:20220205T172512Z
UID:383-1644595200-1644602400@musictech.education
SUMMARY:Bridging the Gap between Hardware / Software in Music
DESCRIPTION:Join Ableton Certified Trainer and electronic musician\, Aimerie\, for a journey through her workflow using Ableton Live in the studio.\n\n\nAbout the Workshop:\nJoin Ableton Certified Trainer and electronic musician\, Aimerie\, for a journey through her workflow using Ableton Live in the studio.  During this session she will demonstrate production techniques both in/outside of the computer and show how Live makes it easy to incorporate external elements into her creative process.  \nSuitable for all skill levels\, Aimerie hopes to inspire viewers to think outside the box – perhaps even outside the computer – and have fun breaking through that dreaded writer’s block. \n \nAbout Aimerie:\nAimerie is the creative alias of bass music DJ\, producer\, and educator\, Kaite Watson. Given her lifelong fascination with the deep sea underworld\, Aimerie’s touch for crafting dark\, lurking soundscapes makes sense. Her otherworldly interpretation of sound system music is inspired by seminal artists like Biome and Portishead\, as well as by friends and co-creators in the bass music community. \nAimerie is an Ableton Certified Trainer located in Denver\, CO where she teaches music production and DJing at The Black Box Studio. Known to deliver cutting-edge curation on the decks\, Aimerie’s passion for pushing grassroots sounds has landed her on prolific lineups at events like Sub.mission’s Bass Invasion in Denver\, Infrasound Music Festival\, and Outlook Festival\, alongside artists including The Widdler\, Truth\, DJ Youngsta\, Khiva\, and many more. —–   http://www.aimerie.com/ \n \nAbout dadageek:\ndadageek is a nonprophit based in Austin\, TX that offers project-focused classes in immersive art and electronic music. Our mission is to offer education and community to those that are creating at the intersection of art\, media\, and tech. Our instructors are talented\, creative technologists with a passion for sharing their expertise with others. \nLearn about our vommunity\, classes\, events\, and scholarships at https://dadageek.com/
URL:http://musictech.education/event/bridging-the-gap-between-hardware-software-in-music/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/5188902e7fb3ef63d7fedb6b9cc1dada-0CKHst.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220211T150000
DTEND;TZID=Europe/London:20220211T183000
DTSTAMP:20260629T144017
CREATED:20220205T172508Z
LAST-MODIFIED:20220205T172508Z
UID:380-1644591600-1644604200@musictech.education
SUMMARY:Future Of Music Summit
DESCRIPTION:Future Of Music – Spring 2022\nGain critical knowledge of the future of the music industry\nExpand your network across the music industry\n\n\nLiberty Music PR  are super excited to bring you its third  virtual Future of Music Summit. \n \nAgenda:  \n \n\n3.00pm – Intro from founders\n\nSpeakers : \n\nBee Adamic (Founder of Liberty Music PR) \nAdam Al-Hilali (Co-Founder of Liberty Music PR) \n \n\n\n3:00pm –  THE NFT WORLD \n\nSpeakers:  \n\nDon Amaechi (Content Partnership Manager AT RCRDSHP) \n\n\n\n\n3:30pm – Quality Control\, Labels and Producing \n(How important is the quality of music for independent artists and Music producers? What do entertainment and management companies look for when signing an independent artist?)\n\nSpeakers: \n\nValerie Bourdages (Bonsound Record Label) \nImogen Marshall (Co-Founder of Triple Fret Entertainment) \nODXC (Artist Manager & Music Producer) \nVin Clancy (Internet Growth Hacker) \nYannis Iliopoulos (Music Business Lecturer\, founder of The Sound Of Everything Records) \n \n\n\n4:00pm – Break\n\n\n\n\n4:30pm – Women in Music (leaders in music talking about their breakthrough into music\, from artists to managers)\n\nSpeakers: \n\nTina Rix (Film Director\, Recording Artist\, Mental Health Advocate) \nChloe Mykel (Founder of 1994 Collective PR & Marketing Agency) \nSilvia Montello (Co-Founder #remarQabl/Senior Music Industry Exec) \n \n\n\n5:00pm – Mental Health – Liberty Hub\n\nSpeakers: \n\nEl Formosa (Content creator and Creator of Mental Health in Grime) \n \n\n\n5:30pm – Liberating colour and culture in music\n\nSpeakers: \n\nYAW OWUSU (Music\, culture & creative consultant & entrepreneur) \nCharisse (Beaumont) Oyediwura (CEO at Black Lives in Music) \nTina Rix (Film Director\, Recording Artist\, Mental Health Advocate) \n \n\n\n6:00pm – Climate Change with Music\n\nSpeakers: \n\nSteve Mortimer (Co-Founder of Black Chapel Collective) \n\n\nJames Dove (Climate EQ) \nDani Vox (Black Chapel Collective) \nSilvia Montello (Co-Founder #remarQabl/Senior Music Industry Exec) \nSophie Shnapp (Earthpercent) \n \n\nMore speakers to be announced\, stay tuned! \n \n6.30pm – Finish
URL:http://musictech.education/event/future-of-music-summit/
ATTACH;FMTTYPE=image/png:http://musictech.education/wp-content/uploads/2022/02/7962ac65c4bafdb7ffe1c90dbab31003-A5yt8e.tmp_.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220210T200000
DTEND;TZID=America/New_York:20220210T230000
DTSTAMP:20260629T144017
CREATED:20220205T172508Z
LAST-MODIFIED:20220205T172508Z
UID:377-1644523200-1644534000@musictech.education
SUMMARY:Music Mogul Meetup – Online Networking for Music Industry Entrepreneurs
DESCRIPTION:Where music industry entrepreneurs connect\, network\, find new clients & get expert-level advice from the team at Artist Collective!\n\n\nIt’s the first Meetup of the new year and we can’t wait to see ya’! \nArtist Collective’s Vinnie Hines hosts a music industry networking party where the movers and shakers in the business can connect with each other\, chat about current projects\, find new clients\, and simultaneously get expert-level advice from the members at Artist Collective.  \nThis event is ideal for the following: \n-Producers\, Beat-Makers\, Songwriters\, Studio Owners \n-Creative Coaches\, Music Teachers\, Agents\, Managers \n-Artists\, Singers\, Instrumentalists\, Rappers\, Composers \nWe aim to have a roaring good time while giving attendees the opportunity to pitch themselves at the beginning of the event as well as having a ‘happy hour’ finale where we all pour ourselves our poison of choice. (Vinnie will obviously be drinking Hennessy…Lol.) \nSo invite your music friends\, grab a webcam and a comfortable seat\, because your colleagues are eager to meet you and find ways to work together. Enjoy it all from the comfort of your own screen while Artist Collective connects you with the clients and Superfans you’ve been looking for!
URL:http://musictech.education/event/music-mogul-meetup-online-networking-for-music-industry-entrepreneurs/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/a7433559cf9898747f3edce23170cd70-1-5kK1ZP.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220210T170000
DTEND;TZID=Europe/London:20220210T180000
DTSTAMP:20260629T144017
CREATED:20220205T172507Z
LAST-MODIFIED:20220205T172507Z
UID:374-1644512400-1644516000@musictech.education
SUMMARY:Get Set sessions
DESCRIPTION:Discover how Help Musicians can support you in getting going on your next creative endeavour\, and how to get started on your application.
URL:http://musictech.education/event/get-set-sessions/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/3f3f4240bc8de7dc70d272c90ce003da-1-TPRlBz.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220210T120000
DTEND;TZID=America/Chicago:20220210T133000
DTSTAMP:20260629T144017
CREATED:20220205T172503Z
LAST-MODIFIED:20220205T172503Z
UID:372-1644494400-1644499800@musictech.education
SUMMARY:WMV All-Musician Meetup Hosted By: Nick O’Brien
DESCRIPTION:Any and all musicians welcome. From anywhere. Hosted by Wisconsin Meetup Magnate Nick O’Brien.
URL:http://musictech.education/event/wmv-all-musician-meetup-hosted-by-nick-obrien/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/06952dd0f42ca8297097c370e840131e-1-IjTRox.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220209T190000
DTEND;TZID=America/New_York:20220209T210000
DTSTAMP:20260629T144017
CREATED:20220205T172501Z
LAST-MODIFIED:20220205T172501Z
UID:369-1644433200-1644440400@musictech.education
SUMMARY:Studio One E-Meetup – New York
DESCRIPTION:Come hang out with Music Producer Theodore Schutze and talk about music\, production\, mixing & of course Studio One!
URL:http://musictech.education/event/studio-one-e-meetup-new-york/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/927094f1a0d9ac0d696b79e47c15c431-3ckazK.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220209T180000
DTEND;TZID=America/Los_Angeles:20220209T223000
DTSTAMP:20260629T144017
CREATED:20220205T172457Z
LAST-MODIFIED:20220205T172457Z
UID:365-1644429600-1644445800@musictech.education
SUMMARY:An Introduction to the Reaper DAW\, Presented by Jam Phelps – Denk Studios
DESCRIPTION:We will learn how to use Reaper from opening the program to completing mix projects\, recording sessions\, and producing with MIDI.\n\n\nPresented by  \nJam Phelps\, of Denk Studios\, \nand \nThe Pacific Northwest Section of the Audio Engineering Society \n\n\nNote that this meeting starts at 6:00pm Pacific Standard Time\, which is UTC -8. There are many countries in the world where that is the middle of normal sleep time\, so if you intend to sleep normally that day you may want to watch the video when it comes out rather than signing up here. \nThat said\, it’s free to sign up\, so do whatever makes you happy. \n \n\n\nPresentation Description: \nReaper is a Digital Audio Workstation program that is gaining popularity. It is full-functioned\, and the cost to license it for use is both flexible and reasonable. There is a reasonable trial mode\, with the program fully functional\, so you can actually get work done with it. \nIn this meeting\, you will learn how to use Reaper from opening the program to completing mix projects\, recording sessions\, and producing with MIDI. We will also focus on Reaper’s automation features. \n You will learn the basic functionality of Reaper for recording\, adding plug-ins and virtual instruments\, rendering multi tracks and finished projects\, and other mixing features.  \nThis is for folks with some DAW knowledge and a basic understanding of audio.  \nAngela Dane of the AESPNW Section Committee will moderate the meeting. \nFeel free to send any questions in beforehand; you may also send stems to work with live to: denkstudioswgr (at) gmail \nAdditional information can be found at   \nPacific Northwest Section of the Audio Engineering Society Website.  \nDenk Studios Website  \nDenk Studios on Youtube  \nReaper Website  \nTHIS EVENT IS FREE\, OPEN TO ALL\, AND AES MEMBERSHIP IS NOT REQUIRED \n\n\n\nAbout The Presenter\nJam Phelps is a Mix Engineer\, Music Producer and owner of Denk Studios in Durham\, North Carolina. Her studio is focused on uplifting marginalized voices in music such as women and LGBTQ+ folks. \n She has been a musician for 28 years and loves crafting unique productions and imaginative mixes in a safe environment where creativity thrives.  \nJam has been featured on Soundgirls.org\, Stories in Sound\, The Music Executive podcast (link is to Amazon Music\, log-in required)\, and currently is a Waves Audio collaborating artist for Gear Fanatix. \n\n\nPNW AES Zoom Meetings \nWe started holding our meetings via Zoom beginning with the April 2020 meeting. Zoom has dramatically increased our reach\, well beyond our Section’s geographic area. Since doing this\, we’ve regularly had attendees from: \n-most Provinces in Canada; \n– most countries in:  \n–Europe\, \n–Central and South America;  \n-Japan\,  \n-India\,  \n-Indonesia\,  \n-Malaysia\,  \n-Australia\,  \n-and more. It’s been unbelievable how many cool audio people we’ve met. \nZoom gives the ability to record videos of our meetings\, and those recordings are individually posted in our past meetings Archive. For now\, the collected videos from our Zoom meetings can be found (mostly) at Dan Mortensen’s DansoundSeattle YouTube channel. \nWe use EventBrite to manage our free tickets to meetings. You are in the right place to RSVP for your ticket for this event.  \nThe Zoom URL will be sent in three reminders: two days\, the morning of\, and an hour or two before the event starts. \nWhen you register at EventBrite and when you enter the Zoom meeting\, please use your real first and last names so we can get to know each other. You do NOT need to create an EventBrite account to register. \n\n\nPlease Note\nIn order to maintain decorum and avoid interruptions\, even unintended ones\, we have established a few ground rules for meeting attendees: \n1. We want to see your full name on display in Zoom at the meeting. \n2. The presenter(s) will determine if they can accept questions during the presentation\, or wait until specific Q&A times\, and that will be announced at the beginning of the meeting. (We often use the “chat” feature to allow attendees to ask questions when they think of them\, with moderators passing them on to the presenter at the appropriate time.) \n3. Please mute your microphone when not talking (a moderator may mute you if you haven’t muted yourself; if they do\, Zoom won’t let you un-mute until a moderator clears you again.) \n4. Based on our experience with no-shows\, we reserve the right to issue more tickets than available slots. We don’t want to turn people away based on inaccurate estimates of attendance\, but we do have budgetary limits to the number of slots we can make available. If we reach capacity before you log in\, we regret that we may have no way to expand capacity at the last minute. \n5. Some presenters are distracted when confronted by a sea of video faces or other images\, so for some meetings we may ask that you turn your camera/images off during the presentation. If you forget\, one of our moderators may do it for you\, and you may or may not get a private chat note informing you. \n6. During the meeting\, there is the matter of your camera. We’re going to leave that up to the presenter; whether they want to see their audience while they present or not. If they want to see who they’re talking to\, then you can leave your camera live or not\, as you prefer\, however if the presenter doesn’t want to see the audience\, then we’ll ask you to turn your video off. \n7. Moderators have the ability to globally turn everyone’s video off\, however turning it back on is troublesome; we are forced to turn cameras back on manually\, one by one. There is no way for you to override that. You’ll need your camera live later in the meeting for the self-introductions. \n8. Best is that if we ask for cameras to be on or off\, that you do this individually on your own. \n9. It would be good if you watched the chat stream during the meeting. Not only is it a way to submit questions to the presenters\, but it’s also a way for others to contact you personally. You have the option there to direct your comment to anyone who is part of the meeting as well as to one person in particular. \nFinally\, in the rare instance of behavior by an attendee that moderators believe is disruptive\, we reserve the right to immediately eject such attendees.
URL:http://musictech.education/event/an-introduction-to-the-reaper-daw-presented-by-jam-phelps-denk-studios/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/cad7d917ee6a86b7c7fa68fce3c8ddf4-1-nnUI4T.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220209T180000
DTEND;TZID=America/New_York:20220209T190000
DTSTAMP:20260629T144017
CREATED:20220205T172458Z
LAST-MODIFIED:20220205T172458Z
UID:367-1644429600-1644433200@musictech.education
SUMMARY:Basic Vocal Techniques – FREE Online Vocal Class -Eve Soto VIEW ALL CLASSES
DESCRIPTION:This is a fun and interactive online singing class in which you will learn the techniques needed to practice to improve your singing
URL:http://musictech.education/event/basic-vocal-techniques-free-online-vocal-class-eve-soto-view-all-classes/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/5b6b3f13820cb527241009be554603ab-jL5D02.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220208T183000
DTEND;TZID=Europe/London:20220208T203000
DTSTAMP:20260629T144017
CREATED:20220205T172456Z
LAST-MODIFIED:20220205T172456Z
UID:362-1644345000-1644352200@musictech.education
SUMMARY:Mechanics of Music Management: Managing An Artist Business In 2022
DESCRIPTION:The Mechanics Of Music Management’ is a training programme from MMF delivered by CMU Insights and led by Chris Cooke and Marcus O’Dair.\n\n\nThe Mechanics Of Music Management’ is a training programme from MMF delivered by CMU Insights and led by Chris Cooke and Marcus O’Dair. A series of six webinars exploring best practice and current trends in artist management\, together these sessions provide a comprehensive guide to artist revenue streams and business models\, music rights and record deals\, fanbase building and direct-to-fan relationships\, and explain where the manager fits in with each of these strands of the business. \nMANAGING AN ARTIST BUSINESS IN 2022 \nCompanies\, finances and growing your business \nOnce an artist starts making money from their music they become a company and the manager is basically the CEO of that company. But what even is a company? We run through what the law says about companies and explain the formalities you need to go through to ensure your artist’s business is legal\, solvent and secure. Plus top tips on band agreements\, hiring an accountant and raising money. \nQuestions answered include: \n– What needs to go in a band agreement? \n– When should artists set up limited companies? \n– How do you keep your artist’s business solvent? \n– How do you keep your artist’s business legal? \n– What are the pitfalls you need to be wary of? \n– What about your management company? \n– What finance and funding options are available in music? \nFull price for each individual webinar is £66+VAT. Members get 50% discount and sister organisations gets 25% discount. Please e-mail lovisa@themmf.net for info and discount codes.  Links will be sent out on the day of the training.
URL:http://musictech.education/event/mechanics-of-music-management-managing-an-artist-business-in-2022/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/84f74061e5705fd9272e68bd4532dc03-1-jpuJwP.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220208T180000
DTEND;TZID=America/Los_Angeles:20220208T200000
DTSTAMP:20260629T144017
CREATED:20220205T172453Z
LAST-MODIFIED:20220205T172453Z
UID:359-1644343200-1644350400@musictech.education
SUMMARY:Studio One E-Meetup – Washington State
DESCRIPTION:Come hang out with Studio One Meetup Captain Daniel Schauer and talk about music\, production\, mixing & of course Studio One!
URL:http://musictech.education/event/studio-one-e-meetup-washington-state/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/f431071becd58b8204cf99cf625dd4cb-Bijp6K.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220207T183000
DTEND;TZID=America/Los_Angeles:20220328T210000
DTSTAMP:20260629T144017
CREATED:20220205T135330Z
LAST-MODIFIED:20220326T165642Z
UID:315-1644258600-1648501200@musictech.education
SUMMARY:WAM Level 1: Intro to Audio Production & Recording VIRTUAL
DESCRIPTION:Learn audio production and basic recording techniques used in recording everything from podcasts to music.\n\n\nLevel up your skills in audio with WAM virtually!  \nClasses take place on the following 8 Mondays: \n2/7\, 2/14\, 2/21\, 2/28\, 3/7\, 3/14\, 3/21\, 3/28 \n6:30pm-9:00pm PST each day \nIn this 8-class series you will: \n\nGain an understanding of the physics and science behind sound\nLearn basic recording techniques\, and about signal flow and the recording chain\nLearn how microphones work and basic microphone selection and placement\nLearn the basics of digital audio and recording with digital audio workstations like Pro Tools\nLearn how to solder and make your own cables!\n\nThis is a foundational level course that provides the necessary skills for basic recording\, production\, and digital technologies. Classes include a combination of lecture and hands-on learning. We recommend taking Level 1 as a prerequisite to all other WAM classes.  \nLocation: Online via zoom. Please download the zoom app prior to class.  \nSuggested technical requirements: computer\, internet access\, audio interface\, microphone\, and headphones. Participants will be instructed to download Pro Tools First (free version) if needed.  \n***NOTE: Attendees can receive refunds up to 7 days before your event start date. \n———– \nAbout the Instructor: \nHeidi Trefethen is a sound engineer\, multi-instrumentalist\, and producer with over 25 years of experience in the industry. As a live sound engineer\, she has worked with Shawn Colvin\, Joan Baez\, Herb Alpert and Lani Hall\, Odetta\, Dar Williams\, Jonatha Brooke\, Peter and Paul of Peter\, Paul and Mary\, Don McLean\, Joan Armatrading\, Buffy Sainte-Marie\, Holly Near\, and Jane Siberry. \nShe teaches Music Production\, Mixing\, Mastering and Recording\, Film Scoring\, and Audio For Visual Media at the SFJAZZ Digital Lab. \nHeidi is also a professional French Hornist who has performed with the Los Angeles Philharmonic; Il Teatro dell’Opera di Roma\, in Rome\, Italy; the JazzUp Festival in Viterbo\, Italy; and the SFJAZZ Monday Night Band\, the Sacramento Philharmonic\, Opera and Ballet\, Silicon Valley Symphony\, North State Symphony\, and Santa Rosa Symphony in the San Francisco Bay Area. She has performed and given master classes in Italy\, Thailand\, Vietnam\, Israel\, Turkey\, and Guatemala. \n———– \nWomen’s Audio Mission focuses on increasing the gender balance in audio production and technology sectors since less than 5% of the population employed in these sectors are women. There are limited spots available in our events and they often sell out\, so we ask that if you are not woman-identified (transgender or cisgender)\, non-binary or gender non-conforming\, that you reconsider registering. We will not turn anyone away\, but please be mindful that if you take up a seat\, that is one less woman or non binary-identified individual that we can serve. We thank you for your understanding in advance and for joining us in our mission to advance women and girls in music production and the recording arts.
URL:http://musictech.education/event/wam-level-1-intro-to-audio-production-recording-virtual/
ATTACH;FMTTYPE=image/jpeg:http://musictech.education/wp-content/uploads/2022/02/033e14a1371aeaee40d1e37d4f754197.jpg
END:VEVENT
END:VCALENDAR