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DTSTART;TZID=America/Los_Angeles:20220207T183000
DTEND;TZID=America/Los_Angeles:20220328T210000
DTSTAMP:20260729T193509
CREATED:20220205T135330Z
LAST-MODIFIED:20220326T165642Z
UID:315-1644258600-1648501200@musictech.education
SUMMARY:WAM Level 1: Intro to Audio Production & Recording VIRTUAL
DESCRIPTION:Learn audio production and basic recording techniques used in recording everything from podcasts to music.\n\n\nLevel up your skills in audio with WAM virtually!  \nClasses take place on the following 8 Mondays: \n2/7\, 2/14\, 2/21\, 2/28\, 3/7\, 3/14\, 3/21\, 3/28 \n6:30pm-9:00pm PST each day \nIn this 8-class series you will: \n\nGain an understanding of the physics and science behind sound\nLearn basic recording techniques\, and about signal flow and the recording chain\nLearn how microphones work and basic microphone selection and placement\nLearn the basics of digital audio and recording with digital audio workstations like Pro Tools\nLearn how to solder and make your own cables!\n\nThis is a foundational level course that provides the necessary skills for basic recording\, production\, and digital technologies. Classes include a combination of lecture and hands-on learning. We recommend taking Level 1 as a prerequisite to all other WAM classes.  \nLocation: Online via zoom. Please download the zoom app prior to class.  \nSuggested technical requirements: computer\, internet access\, audio interface\, microphone\, and headphones. Participants will be instructed to download Pro Tools First (free version) if needed.  \n***NOTE: Attendees can receive refunds up to 7 days before your event start date. \n———– \nAbout the Instructor: \nHeidi Trefethen is a sound engineer\, multi-instrumentalist\, and producer with over 25 years of experience in the industry. As a live sound engineer\, she has worked with Shawn Colvin\, Joan Baez\, Herb Alpert and Lani Hall\, Odetta\, Dar Williams\, Jonatha Brooke\, Peter and Paul of Peter\, Paul and Mary\, Don McLean\, Joan Armatrading\, Buffy Sainte-Marie\, Holly Near\, and Jane Siberry. \nShe teaches Music Production\, Mixing\, Mastering and Recording\, Film Scoring\, and Audio For Visual Media at the SFJAZZ Digital Lab. \nHeidi is also a professional French Hornist who has performed with the Los Angeles Philharmonic; Il Teatro dell’Opera di Roma\, in Rome\, Italy; the JazzUp Festival in Viterbo\, Italy; and the SFJAZZ Monday Night Band\, the Sacramento Philharmonic\, Opera and Ballet\, Silicon Valley Symphony\, North State Symphony\, and Santa Rosa Symphony in the San Francisco Bay Area. She has performed and given master classes in Italy\, Thailand\, Vietnam\, Israel\, Turkey\, and Guatemala. \n———– \nWomen’s Audio Mission focuses on increasing the gender balance in audio production and technology sectors since less than 5% of the population employed in these sectors are women. There are limited spots available in our events and they often sell out\, so we ask that if you are not woman-identified (transgender or cisgender)\, non-binary or gender non-conforming\, that you reconsider registering. We will not turn anyone away\, but please be mindful that if you take up a seat\, that is one less woman or non binary-identified individual that we can serve. We thank you for your understanding in advance and for joining us in our mission to advance women and girls in music production and the recording arts.
URL:http://musictech.education/event/wam-level-1-intro-to-audio-production-recording-virtual/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220212T120000
DTEND;TZID=America/New_York:20220319T133000
DTSTAMP:20260729T193509
CREATED:20220212T145225Z
LAST-MODIFIED:20220212T145227Z
UID:456-1644667200-1647696600@musictech.education
SUMMARY:Artist Management 101
DESCRIPTION:Join us for a live Zoom interview\, Q&A\, and listening session to discuss the role of an artist manager and how to pick one for yourself.\n\n\nThis event is sponsored by Finessed Media\, Inc. and hosted by Tammy Henderson. \n—- \nRSVP to attend. \n—- \nOkay so you’e got your song written\, music produced\, recorded your songs and have everything together when it comes to your craft. So what’s next for you? It’s time to get a manager. Often times independent artists don’t know where to start when it comes to finding the manager that is right for them and they don’t know where to start to begin researching the matter. It is crucial to you rmusic career to find a manager that is compatible with you on all levels.  \nThat’s why this Saturday\, February 12th\, we’ll be joined by Anh Vu\, Shelby Chargin\, and Christian McCurdy\, experts on managing artists in the music industry. \nWe’ll be discussing how artists can go about finding a manager\, the role of management\, what are artist can do to prepare for management and more!  \n—- \nAgenda: \n12 – 12:10pm ET Introductions \n12:10 – 12:45pm ET Interview with Anh Vu\, Shelby Chargin\, and Christian McCurdy  \n12:45 – 1pm ET Live Q+A with Zoom Audience \n1 – 1:30pm ET Networking/Listening Session \n—- \nLISTENING SESSION \nThe event will be concluded with our weekly listening session. 6-8 artists will have a chance to play their music in front of a live audience and will receive constructive criticism from our speakers. \nTo be considered for music play in the listening session\, artists must purchase a SUBMISSION REVIEW ticket and submit one song LINK (preferably Spotify) by Friday 2/11 at 9pm ET with subject line “SATURDAY SUBMISSION” to info@finessed.media. \nOur team will screen your music for relevancy to audience\, quality\, and how beneficial the feedback will be. If your submission is not accepted\, you will receive a full refund. Submissions that are accepted will have 1:30 to 2 min of their song played in front of the audience. \nMust be a Finessed Media VIP Career Development member or purchase a SUBMISSION REVIEW ticket for consideration. \nObtain membership here. \nSongs will be reviewed before the listening session and your purchase will be refunded if the song is not accepted. \n—————– \nAnh Vu is a music industry professional with diverse experience at leading companies in music\, entertainment\, and sports industries. She has a background in operations\, marketing\, strategy\, and project management and a deep commitment to supporting artists and the creative community. Her past roles includes working on recording royalties operations and and copyright infringement during her time at UMG\, brand partnerships and digital marketing at CAA. Now she’s focused on building and executing artist strategies through management\, development\, branding\, creative and content strategy\, and live event production.   \n—————– \n The founder of Legion\, Christian McCurdy\, is a multi-faceted executive known for his role in developing and breaking talent particularly in A&R and management. His focus on putting together quality songs landed him A&R positions with labels such as Atlantic Records and LVRN Records . Through managing such producers\, songwriters\, and artists as Nija Charles\, Ant Clemons\, and Jack Rochon\, he has been instrumental in creating numerous hit records for such artists as Drake\, Ariana Grande\, Chris Brown\, Kanye West\, Meek Mill\, Cardi B\, Camila Cabello and many more.  \n—————— \nShelby Chargin grew up in Ohio where she first found her passion for music by attending local shows in and around Cleveland. Growing a knack for blogging and writing regularly on MySpace in 2007\, she began interviewing bands for several websites and MySpace pages. In 2011\, she took her love of writing to Arizona State University to study English with a concentration on Creative Non-Fiction and Rhetoric. While at Arizona State\, Shelby also received her minor in Music Theory. Using this combination of knowledge\, she began her journey into the world of entertainment. \n—————– \nFinessed Media is a New York City based start-up focused on developing content in all things music entrepreneurship and creation. The company was founded in January 2020 with the mission to provide resources for a worldwide audience interested in making it in the music industry in any capacity. \nOur contributors spotlight music and stories of artists\, A&R reps\, DJs\, music tech executives\, radio hosts\, and more to speak on their experiences and share insight for others to learn from. These stories are provided via videos\, online lessons\, news updates\, and events. \nThe Finessed community has grown into a global audience for its work in promoting all genres and for providing a platform for all aspiring music industry entrepreneurs. \nPast events can be viewed below or on YouTube at https://www.youtube.com/channel/UCFG9Wwo4NzSfXJlxT_CYt6g? \nJoin our community at Finessed Media. \n—————–
URL:http://musictech.education/event/artist-management-101/
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220215T130000
DTEND;TZID=Europe/London:20220215T160000
DTSTAMP:20260729T193509
CREATED:20220205T172514Z
LAST-MODIFIED:20220205T172514Z
UID:389-1644930000-1644940800@musictech.education
SUMMARY:Get Started with Music Business Taster Day
DESCRIPTION:Join us for a taster session to find out more about a week of free workshops to help turn your music into a sustainable business.\n\n\nFrom Monday 21 – Friday 25 February\, 10am-4pm\, at the Centre for Chinese Contemporary Art we’ll be delivering practical and inspiring music business workshops for musicians aged 18-25. Check out our website for full information. \nFree to join if you’re interested in making money from your music and are working or studying 14 hours a week or less. \nIf you’d like to find out more before expressing your interest\, we’re hosting a taster day on Tuesday 15 February\, 1-4pm\, at the Centre for Chinese Contemporary Art. You can join in-person or online via Zoom.
URL:http://musictech.education/event/get-started-with-music-business-taster-day/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220215T173000
DTEND;TZID=America/Los_Angeles:20220329T193000
DTSTAMP:20260729T193509
CREATED:20220205T135335Z
LAST-MODIFIED:20220326T165643Z
UID:320-1644946200-1648582200@musictech.education
SUMMARY:Podcasting 101
DESCRIPTION:Are you interested in creating a podcast but not sure where to start?\n\n\nThis class will meet 7 times:Tuesdays February 15 – March 29\, 2022  from 5:30-7:30pm.  \nAre you interested in creating a podcast but not sure where to start? Do you have an amazing podcast idea but little professional experience in radio/audio production? You will leave this class with a short TRAILER (30 seconds to 3 min) for the podcast you want to create. Class will cover: \n\nEnvisioning your podcast: format\, structure\, voices/guests\, hosts/cohosts\, frequency\, crafting a STORY\, edited vs interview style\, and eventually name/ logo.\nHome & field recording tips: how to create professional sounding audio without a booth.\nInterviewing / Guest booking \nPro Tools/editing tips\nWriting/scripting for radio\nVoicing/Delivery \nListening party & sharing Industry resources!\n\nPrerequisites/Materials for Podcasting 101: \n\nAudio editing Software: Access to and some familiarity/basic understanding of audio editing software\, (Pro Tools preferred. Backup options: Pro Tools First\, Hindenburg\, Ardour\, Audition\, etc.)\nSmartphone or digital audio recorder: (Android or iPhone\, with software downloaded (we’ll let you know which recording apps we recommend for each). Or a digital audio recorder and headphones.\nFree Google Voice line for recording phone interviews\nBook: So You Want to Start a Podcast– for required class reading assignments.\n\n***NOTE: Attendees can receive refunds up to 7 days before your event start date.*** \n———– \nAbout the Instructor: \n​​Shia Levitt is a longtime public radio journalist who has covered stories for NPR\, Marketplace\, KQED\, and numerous other outlets. She has reported domestically from the U.S.\, and internationally from Asia\, Africa\, and the Middle East. Her beats have included science/health/environment and labor/economics\, among others. In addition to reporting and producing\, Shia has taught radio to young people for WNYC’s Radio Rookies\, for UNICEF in Haiti\, and at the college level both at Mills College in Oakland and at Brooklyn College in New York City. She has produced podcasts for UNICEF and has advised other podcasts on both technical aspects and content. Shia recently joined KALW as a news editor. She also worked in television and is a freelance photographer. \n \n———– \nWomen’s Audio Mission focuses on increasing the gender balance in audio production and technology sectors since less than 5% of the population employed in these sectors are women. There are limited spots available in our events and they often sell out\, so we ask that if you are not woman-identified (transgender or cisgender)\, non-binary or gender non-conforming\, that you reconsider registering. We will not turn anyone away\, but please be mindful that if you take up a seat\, that is one less woman or non binary-identified individual that we can serve. We thank you for your understanding in advance and for joining us in our mission to advance women and girls in music production and the recording arts. \n \nWAMAC
URL:http://musictech.education/event/podcasting-101/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220215T173000
DTEND;TZID=America/Los_Angeles:20220329T193000
DTSTAMP:20260729T193509
CREATED:20220205T135335Z
LAST-MODIFIED:20220205T135335Z
UID:321-1644946200-1648582200@musictech.education
SUMMARY:Podcasting 101
DESCRIPTION:Are you interested in creating a podcast but not sure where to start?\nWAMAC\n\n\nThis class will meet 7 times:Tuesdays February 15 – March 29\, 2022  from 5:30-7:30pm.  \nAre you interested in creating a podcast but not sure where to start? Do you have an amazing podcast idea but little professional experience in radio/audio production? You will leave this class with a short TRAILER (30 seconds to 3 min) for the podcast you want to create. Class will cover: \n\nEnvisioning your podcast: format\, structure\, voices/guests\, hosts/cohosts\, frequency\, crafting a STORY\, edited vs interview style\, and eventually name/ logo.\nHome & field recording tips: how to create professional sounding audio without a booth.\nInterviewing / Guest booking \nPro Tools/editing tips\nWriting/scripting for radio\nVoicing/Delivery \nListening party & sharing Industry resources!\n\nPrerequisites/Materials for Podcasting 101: \n\nAudio editing Software: Access to and some familiarity/basic understanding of audio editing software\, (Pro Tools preferred. Backup options: Pro Tools First\, Hindenburg\, Ardour\, Audition\, etc.)\nSmartphone or digital audio recorder: (Android or iPhone\, with software downloaded (we’ll let you know which recording apps we recommend for each). Or a digital audio recorder and headphones.\nFree Google Voice line for recording phone interviews\nBook: So You Want to Start a Podcast– for required class reading assignments.\n\n***NOTE: Attendees can receive refunds up to 7 days before your event start date.*** \n———– \nAbout the Instructor: \n​​Shia Levitt is a longtime public radio journalist who has covered stories for NPR\, Marketplace\, KQED\, and numerous other outlets. She has reported domestically from the U.S.\, and internationally from Asia\, Africa\, and the Middle East. Her beats have included science/health/environment and labor/economics\, among others. In addition to reporting and producing\, Shia has taught radio to young people for WNYC’s Radio Rookies\, for UNICEF in Haiti\, and at the college level both at Mills College in Oakland and at Brooklyn College in New York City. She has produced podcasts for UNICEF and has advised other podcasts on both technical aspects and content. Shia recently joined KALW as a news editor. She also worked in television and is a freelance photographer. \n \n———– \nWomen’s Audio Mission focuses on increasing the gender balance in audio production and technology sectors since less than 5% of the population employed in these sectors are women. There are limited spots available in our events and they often sell out\, so we ask that if you are not woman-identified (transgender or cisgender)\, non-binary or gender non-conforming\, that you reconsider registering. We will not turn anyone away\, but please be mindful that if you take up a seat\, that is one less woman or non binary-identified individual that we can serve. We thank you for your understanding in advance and for joining us in our mission to advance women and girls in music production and the recording arts. \n \nWAMAC
URL:http://musictech.education/event/podcasting-101-2/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220215T183000
DTEND;TZID=Europe/London:20220215T203000
DTSTAMP:20260729T193509
CREATED:20220205T172516Z
LAST-MODIFIED:20220205T172516Z
UID:392-1644949800-1644957000@musictech.education
SUMMARY:Mechanics of Music Management: Making Money From Music Copyright In 2022
DESCRIPTION:The Mechanics Of Music Management’ is a training programme from MMF delivered by CMU Insights and led by Chris Cooke and Marcus O’Dair.\n\n\nThe Mechanics Of Music Management’ is a training programme from MMF delivered by CMU Insights and led by Chris Cooke and Marcus O’Dair. A series of six webinars exploring best practice and current trends in artist management\, together these sessions provide a comprehensive guide to artist revenue streams and business models\, music rights and record deals\, fanbase building and direct-to-fan relationships\, and explain where the manager fits in with each of these strands of the business. \nMAKING MONEY FROM MUSIC COPYRIGHT IN 2022 \nHow to make sure your artists aren’t missing out on royalties \nWhenever artists write songs or record tracks they create copyrights. And those copyrights can generate revenue. We provide a user-friendly guide to copyright: what it is\, how it works\, how it makes money and how managers can ensure their clients properly manage\, monetise and enforce their rights. We’ll also explain what PRS\, PPL and MCPS do – and why getting copyright data right can be the difference between being paid and seeing nothing from your plays\, syncs and streams. \nQuestions answered include: \n– What kind of creativity does copyright protect? \n– What kind of control does copyright provide? \n– Who owns your artist’s copyrights? \n– How does copyright make money? \n– What is stopping your artist’s getting paid? \n– Where do PRS\, MCPS and PPL fit in? \nFull price for each individual webinar is £66+VAT. Members get 50% discount and sister organisations gets 25% discount. Please e-mail manasvi@themmf.net for info and discount codes.  Links will be sent out on the day of the training.
URL:http://musictech.education/event/mechanics-of-music-management-making-money-from-music-copyright-in-2022/
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20220215T190000
DTEND;TZID=Europe/Madrid:20220215T203000
DTSTAMP:20260729T193509
CREATED:20220205T172518Z
LAST-MODIFIED:20220205T172518Z
UID:394-1644951600-1644957000@musictech.education
SUMMARY:Studio One E-Meetup – Spain
DESCRIPTION:¡Ven a pasar un rato con Studio One Captain Julio Navas y charla sobre música\, producción y Studio One!\n\n\n\n\nEl E-Meetup se llevará a cabo en Zoom: https://presonus.zoom.us/j/83611378853\nZoom Meeting Passcode: s1meetup\n\n– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –  \n \nLos Meetups de Studio One son esencialmente reuniones organizadas por usuarios entusiastas de Studio One\, nuestros Capitanes. El primer Studio One Meetup se inició en NAMM 2020\, y nos sorprendió el increíble apoyo que esta idea recibió desde el principio. Solo en febrero\, se realizaron más de una docena de Meetups de Studio One en todo el mundo\, con muchos más en preparación. Quedó muy claro que Studio One es mucho más que un simple software para nuestros usuarios: es una pasión que une personas. \n \nSiempre que ha sido posible\, empleados\, artistas y los propios desarrolladores de PreSonus han participado en estos Meetups. Nos esforzamos continuamente por eliminar las barreras de comunicación entre la empresa y nuestros seguidores\, y creemos que los Meetups de Studio One son una de las mejores maneras en que podemos lograrlo. \n \nDesafortunadamente\, nuestros esfuerzos se detuvieron a principios de marzo de 2020\, ya que se hizo cada vez más evidente que estaríamos lidiando con una pandemia a una escala global sin precedentes. ¡Afortunadamente\, gente de todo el mundo ha asumido la responsabilidad al quedarse en casa y aislarse! Y\, sin embargo\, especialmente en tiempos difíciles de preocupación y aislamiento social\, mantenerse en contacto con amigos y aquello que amamos se ha vuelto aún más importante. \n \nEs por eso por lo que nuestra increíble comunidad cree que Studio One E-Meetups son la respuesta perfecta a la creciente sensación de soledad en nuestros corazones en este momento. El hecho de que todos necesitemos aislarnos socialmente no significa que también tengamos que estar solos digitalmente\, ¿verdad? \n \nSi conoces a algún seguidor de Studio One que quiera iniciar su propio Studio One E-Meetup\, o si estás interesado en alojar uno tú mismo\, entonces ponte en contacto por correo electrónico para obtener más información: s1meetups@presonus.com !
URL:http://musictech.education/event/studio-one-e-meetup-spain/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220215T193000
DTEND;TZID=America/Chicago:20220215T210000
DTSTAMP:20260729T193509
CREATED:20220205T172521Z
LAST-MODIFIED:20220205T172521Z
UID:397-1644953400-1644958800@musictech.education
SUMMARY:WMV Musician Workshop #16: Know Your Rights- Legal Aspects of Songwriting
DESCRIPTION:Led by Bryan T. Kroes & Peter J. Strand\n\n\nWisconsin Music Ventures hosts monthly musician workshops via Zoom that touch on important topics for musicians in the industry.  \n(Song)writers Know Your Rights: Legal Aspects of Songwriting. \nWe will be talking about legal aspects of songwriting\, specifically: \n-What are the elements of a song? \n-What makes a song protectable by copyright? \n-What isn’t protectable by copyright? \n-Types of copyrights (composition vs. sound recording). \n-Who is considered an author under copyright law? \n-How to assess percentage of authorship/ownership. \n-How to address collaboration\, joint authorship\, and joint works. \n-What is work made for hire? \n-Considerations for use of beats\, samples\, and interpolations. \n-Songwriting income. \nBryan T. Kroes is a shareholder with Hurtado Zimmerman SC in Wauwatosa\, Wisconsin. Bryan’s law practice includes entertainment\, construction\, real property\, and municipal bond finance. \nAs an entertainment attorney\, Bryan represents musicians\, artists\, record labels\, theater owners\, and other creative types. A lifelong musician himself with an extensive history of touring and production work\, Bryan brings a seasoned\, unique\, and personal approach to the business side of entertainment. Bryan is also a founding member and currently serves as Treasurer\, for the Wisconsin Entertainment Lawyers Association. \nBryan’s law practice also concentrates on construction contract negotiation\, including intellectual property law issues\, and commercial and residential real property acquisition. He represents trade contractors\, designers\, and owners in dispute resolution related to perfection of lien rights\, defect claims\, property purchases\, sales\, leasing\, and related intellectual property protection. He also has experience in public bond finance\, including revenue anticipation\, commercial line of credit\, and general obligation fundings.  \nPeter Strand has extensive experience drafting\, analyzing\, revising\, and negotiating complex entertainment industry agreements including record contracts\, music publishing agreements\, literary publishing agreements\, film and television production agreements (producer\, director\, actor\, composer\, location\, etc.)\, content and catalog acquisition and distribution agreements\, and agreements between creative collaborators (songwriters\, co-authors\, bands\, production companies). These entertainment industry agreements typically address issues of ownership\, compensation (royalties\, advances\, back end\, upfront fees\, and buy-out fees) control\, credit\, and content acquisition (options\, licenses\, works made for hire). He has represented authors\, film/television production companies\, recording artists\, songwriters\, on-screen and behind-the-camera talent\, record producers\, composers\, and life story subjects.
URL:http://musictech.education/event/wmv-musician-workshop-16-know-your-rights-legal-aspects-of-songwriting/
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